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Hey everyone. I realize this is probably poking the hornets' nest, but... today I come to you as an artist and writer, with some serious questions that I've been trying to wrap my head around recently. I know that these days, sexism and feminism are sort of heated and controversial topics on the internet. There's been a lot of material circulating as of late about sexism in comic and gaming culture. I don't really want to upset anyone, but I do have some things I've legitimately been wondering, and if we could start some sort of rational dialogue about it, I would gladly welcome your thoughts.
As most of you who follow me know, I am male. I also have Asperger's syndrome, which I believe is relevant in this discussion insofar as I tend to have difficulty with empathy, and with fully understanding points of view that are not my own. In my writing, I've noticed that this is reflected by the fact that my major protagonists pretty much always have a lot in common with me-- generally introverted or struggling with social anxieties, sometimes misanthropic, usually artistic in one way or another... almost always male. I write what I know, because I feel like when I attempt to develop characters that aren't what I know firsthand, they come off as insincere and flat. I feel like I don't have the insight necessary to speak for anyone but myself. As a result, the prospect of writing a main character who is radically different from myself is daunting to me-- someone who has different religious beliefs, for example, or a different ethnic background, or someone who is much older or younger than I am. But I think the issue that is most challenging for me is writing good female characters. As an author, I feel like it's a big weakness of mine, that I don't feel comfortable developing 100% original characters with a wide range of perspectives, beliefs, priorities and insights; when I do write female characters, I find they're mostly based on real women in my life, with a bit of creative embellishment. I've been thinking about how to write female characters specifically a lot lately, probably because the recent controversies seem to indicate to me that this isn't just me-- society as a whole is struggling with this too.
So here are my questions:
1) How does a male writer develop authentic female characters (particularly a male author like me, who has difficulty seeing the world from eyes other than his own)? Especially for those of you who are female, what sorts of characteristics do you think aren't exemplified enough in female characters in popular fiction written by males?
2) Whenever you read a piece of fiction, how much do you think the author's gender enters into your consideration of the way the story has been written, and particularly the way the relationships between characters are treated? I mean, I think it's fair to say that there's a definite disparity between, say, Jane Austen and Ernest Hemingway, but I feel like those are the extremes. Do you think not knowing the author's gender beforehand would make a significant difference in your perception?
3) Are there any others here who feel like they have a difficulty writing characters of the opposite gender? If so, how do you deal with it? I'm particularly curious to hear if there are any ladies here who struggle with male characters.
4) In regards to visual media like comics-- how does a male writer or artist create universally respectable female characters appealing to anybody? I don't really want to alienate either gender, but sometimes, it honestly feels to me like a "damned if you do, damned if you don't" situation because (in general) they seem to want different things in the media they consume. The whole male gaze issue in particular seems to be a major wedge which has started thousands of flame wars. Can (for lack of a better term) "fanservice" for certain male readers coexist simultaneously in the same continuity with more progressive attitudes regarding women and female empowerment, or is it too much of a contradiction?
5) And finally... is it even possible for male writers or artists to escape insinuations of contributing to our societal androcentrism, or is it simply an inherent judgment we have to accept (regardless of how progressive the attitudes toward women in our work may be) just by virtue of being male?
As most of you who follow me know, I am male. I also have Asperger's syndrome, which I believe is relevant in this discussion insofar as I tend to have difficulty with empathy, and with fully understanding points of view that are not my own. In my writing, I've noticed that this is reflected by the fact that my major protagonists pretty much always have a lot in common with me-- generally introverted or struggling with social anxieties, sometimes misanthropic, usually artistic in one way or another... almost always male. I write what I know, because I feel like when I attempt to develop characters that aren't what I know firsthand, they come off as insincere and flat. I feel like I don't have the insight necessary to speak for anyone but myself. As a result, the prospect of writing a main character who is radically different from myself is daunting to me-- someone who has different religious beliefs, for example, or a different ethnic background, or someone who is much older or younger than I am. But I think the issue that is most challenging for me is writing good female characters. As an author, I feel like it's a big weakness of mine, that I don't feel comfortable developing 100% original characters with a wide range of perspectives, beliefs, priorities and insights; when I do write female characters, I find they're mostly based on real women in my life, with a bit of creative embellishment. I've been thinking about how to write female characters specifically a lot lately, probably because the recent controversies seem to indicate to me that this isn't just me-- society as a whole is struggling with this too.
So here are my questions:
1) How does a male writer develop authentic female characters (particularly a male author like me, who has difficulty seeing the world from eyes other than his own)? Especially for those of you who are female, what sorts of characteristics do you think aren't exemplified enough in female characters in popular fiction written by males?
2) Whenever you read a piece of fiction, how much do you think the author's gender enters into your consideration of the way the story has been written, and particularly the way the relationships between characters are treated? I mean, I think it's fair to say that there's a definite disparity between, say, Jane Austen and Ernest Hemingway, but I feel like those are the extremes. Do you think not knowing the author's gender beforehand would make a significant difference in your perception?
3) Are there any others here who feel like they have a difficulty writing characters of the opposite gender? If so, how do you deal with it? I'm particularly curious to hear if there are any ladies here who struggle with male characters.
4) In regards to visual media like comics-- how does a male writer or artist create universally respectable female characters appealing to anybody? I don't really want to alienate either gender, but sometimes, it honestly feels to me like a "damned if you do, damned if you don't" situation because (in general) they seem to want different things in the media they consume. The whole male gaze issue in particular seems to be a major wedge which has started thousands of flame wars. Can (for lack of a better term) "fanservice" for certain male readers coexist simultaneously in the same continuity with more progressive attitudes regarding women and female empowerment, or is it too much of a contradiction?
5) And finally... is it even possible for male writers or artists to escape insinuations of contributing to our societal androcentrism, or is it simply an inherent judgment we have to accept (regardless of how progressive the attitudes toward women in our work may be) just by virtue of being male?
It's been a busy year.
Wow, my last journal post was October of last year. Time for an update, then.
Sorry for being silent so long. As the title of this journal entry says, it's been a very busy year, and a lot has happened since my last post. As I've mentioned here already, my father passed away about two years ago. After it happened, my mother and I both came to the realization that it made no sense for her to continue living in Florida without him (and Hurricane Irma definitely played a big role in her coming to that conclusion). So, as a result, most of the time I've been quiet has been devoted to helping her move from Florida to Washington to be with me, and
Wait, he did ANOTHER one?
Hey everyone! I know you're probably wondering what I've been doing with my life since summer, considering I've been pretty quiet here. Well, there's good reason for that. October in particular has been a crazy chaotic month for me. Part of it is for reasons I will explain in a future journal entry. However, another big part of it is because I've been secretly working on this:
This is my second self-published book, Year of Haiku and Other Collected Works! It's an anthology of poems (and one short story) written between 2005-2017. Admittedly, some of the work in this book might be familiar to you, as several of these poems have appeared in my
Father's Day.
Okay, as horrendous as 2016 was, it's time to replace that recap. It's been up for half of 2017 already, and it sort of sickens me to relive any memories from last year. So... moving on.
You'll have to bear with me, folks. I know it's been six months. Normally, during a period where I've been as unproductive as this, I might jokingly say, "I'm not dead", as I have many times before. This time, though... I don't really feel like joking like that. Not when I've been so affected by a real death so close to me.
See, when I wrote that last journal entry, it was toward the end of the year, and I was forced to amend it because my father passed awa
2016: The Year-Long Nightmare
Also known as "The Leap Year from Hell" and "The Year That God Said 'Fuck It'".
Well, everyone, it's New Year's Eve, and at this point, I think most of us are seriously ready to be done with this year. The strange thing is, there have been bad years before-- but 2016 has somehow been an uncommonly bad year, not only in general current events, but for me personally, and for virtually everyone I know. There's been so much shit dumped on me this year, that I felt it really needed to all be unpacked here, month by month, partly as a catharsis, and partly to just take stock of it all. So, here we go, on a 12-month retrospective journey through th
© 2015 - 2024 CheVD
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I personally haven't struggled too much with writing the opposite gender (for me that's females) as depending on the scenario, in my opinion, there isn't much difference between genders. And I from writing in female PoVs, it's more about just expressing what the character is representing, basically what I'd do for a male PoV. I've generally always made a conscious effort to include strong male and female characters in what I've written and will continue to do so. Especially, when having a strong female character, it can add to the story as it can be considered less common. Overall though, I commonly go for a spread of different character traits across the board, disregarding genders, but trying to include gender equality where necessary.